Odes of the State of Bin 豳風七月圖
Item
Title
Odes of the State of Bin
豳風七月圖
豳風七月圖
Description
(none)
identifier
40287
Source
https://www.metmuseum.org/art/collection/search/40287
Creator
Unidentified artist
Attributed to Li Gonglin (conjecture)
傳李公麟
Attributed to Li Gonglin (conjecture)
傳李公麟
annotates
Label strip
Qing emperor Qianlong 清帝乾隆 (r. 1736–1795), 1 column in standard script, undated; 2 seals:
李公麟《豳風圖》，神品 [印]：御賞、乾隆宸翰
Frontispiece
Unidentified artist, 3 large characters in seal script, undated:
《豳風圖》
Inscription carved on the cover ribbon’s jade clasper
Qing emperor Qianlong清帝乾隆 (r. 1736–1795), 2 columns in seal script, undated:
李公麟《豳風圖》真跡
Colophon
Dong Qichang 董其昌 (1555–1636), 2 columns in semi-cursive script, dated 1627; 1 seal:
Viewed by Dong Qichang at the beginning of summer, the twenty-second day of the third month of the dingmao year, the seventh year of the Tianqi reign era [1627].
天啓七年丁卯嵗三月廿二立夏日董其昌觀。 [印]：董其昌印
Qing emperor Qianlong 清帝乾隆 (r. 1736–1795), 1 column in standard script, undated; 2 seals:
李公麟《豳風圖》，神品 [印]：御賞、乾隆宸翰
Frontispiece
Unidentified artist, 3 large characters in seal script, undated:
《豳風圖》
Inscription carved on the cover ribbon’s jade clasper
Qing emperor Qianlong清帝乾隆 (r. 1736–1795), 2 columns in seal script, undated:
李公麟《豳風圖》真跡
Colophon
Dong Qichang 董其昌 (1555–1636), 2 columns in semi-cursive script, dated 1627; 1 seal:
Viewed by Dong Qichang at the beginning of summer, the twenty-second day of the third month of the dingmao year, the seventh year of the Tianqi reign era [1627].
天啓七年丁卯嵗三月廿二立夏日董其昌觀。 [印]：董其昌印
Abstract
Collectors' seals
Wang Gou 王構 (1245–1310)
王構私印（十八鈐）
瓠山
遂慵
安野堂
王氏肯堂
巨山（十一鈐）
Wang Shimin 王時敏 (1592–1680)
太原王遜之氏收藏圖書
王時敏印（半印）
西廬（半印）
Liang Qingbiao 梁清標 (1620–1691)
蕉林書屋（半印）
蕉林梁氏書畫之印
冶溪漁隱（半印）
An Qi 安岐 (ca. 1683–1744)
朝鮮人
安岐之印
安氏儀周書畫之章
古香書屋
思原堂
麓村
Qing emperor Qianlong 清帝乾隆 (r. 1736–1795)
乾隆御覽之寳
石渠寶笈
御書房鑑藏寳
三希堂精鑑璽
宜子孫
乾隆鋻賞
Qing emperor Jiaqing 清帝嘉慶 (r. 1796–1820)
嘉慶御覽之寳 (二鈐)
Qing emperor Xuantong 清帝宣統 (r. 1909–1911)
宣統御覽之寳
Gu Luofu 顧洛阜 (John M. Crawford, Jr., 1913–1988)
顧洛阜
漢光閣
Unidentified
平曲侯印
赤泉侯印 (二鈐)
子孫保之
昌（五鈐）
Wang Gou 王構 (1245–1310)
王構私印（十八鈐）
瓠山
遂慵
安野堂
王氏肯堂
巨山（十一鈐）
Wang Shimin 王時敏 (1592–1680)
太原王遜之氏收藏圖書
王時敏印（半印）
西廬（半印）
Liang Qingbiao 梁清標 (1620–1691)
蕉林書屋（半印）
蕉林梁氏書畫之印
冶溪漁隱（半印）
An Qi 安岐 (ca. 1683–1744)
朝鮮人
安岐之印
安氏儀周書畫之章
古香書屋
思原堂
麓村
Qing emperor Qianlong 清帝乾隆 (r. 1736–1795)
乾隆御覽之寳
石渠寶笈
御書房鑑藏寳
三希堂精鑑璽
宜子孫
乾隆鋻賞
Qing emperor Jiaqing 清帝嘉慶 (r. 1796–1820)
嘉慶御覽之寳 (二鈐)
Qing emperor Xuantong 清帝宣統 (r. 1909–1911)
宣統御覽之寳
Gu Luofu 顧洛阜 (John M. Crawford, Jr., 1913–1988)
顧洛阜
漢光閣
Unidentified
平曲侯印
赤泉侯印 (二鈐)
子孫保之
昌（五鈐）
Rights Holder
Metropolitan Museum of Art
Identifier
1982.459
References
Zhang Zhao 張照 et al. Midian zhulin shiqu baoji 祕殿珠林石渠寶笈 (Catalogue of painting and calligraphy in the Qianlong imperial collection). Preface dated 1745. Facsimile reprint of an original manuscript copy. vol. 2, Taipei: National Palace Museum, 1971, p. 963.
Smith, Bradley, and Wan-go Weng. China: A History in Art. New York: Harper & Row, [1972?], pp. 186–87.
Weng, Wan-go, and Thomas Lawton. Chinese Painting and Calligraphy: A Pictorial Survey: 69 Fine Examples from the John Crawford, Jr. Collection. New York: Dover Publications, 1978, pp. 38–41, fig. 19.
Cahill, James. An Index of Early Chinese Painters and Paintings: T'ang, Sung, and Yüan. Berkeley: University of California Press, 1980.
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, pp. 98–99, cat. no. A15-023.
Shih Shou-ch'ien, Maxwell K. Hearn, and Alfreda Murck. The John M. Crawford, Jr., Collection of Chinese Calligraphy and Painting in the Metropolitan Museum of Art: Checklist. Exh. cat. New York: The Metropolitan Museum of Art, 1984, p. 20, cat. no. 29.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 222–25, pls. 30a, 30b.
Hearn, Maxwell K., and Wen C. Fong. Along the Riverbank: Chinese Paintings from the C. C. Wang Family Collection. Exh. cat. New York: The Metropolitan Museum of Art, 1999, p. 91, fig. 66.
Murck, Alfreda. Poetry and Painting in Song China: The Subtle Art of Dissent. Cambridge, Mass.: Harvard University Asia Center for the Harvard-Yenching Institute, 2000, pp. 246–50, figs. 38–40.
Törmä, Minna. Landscape Experience as Visual Narrative: Northern Song Dynasty Landscape Handscrolls in the Li Cheng–Yan Wengui Tradition. Helsinki: Academia Scientiarum Fennica, 2002, p. 107, fig. 45.
Smith, Bradley, and Wan-go Weng. China: A History in Art. New York: Harper & Row, [1972?], pp. 186–87.
Weng, Wan-go, and Thomas Lawton. Chinese Painting and Calligraphy: A Pictorial Survey: 69 Fine Examples from the John Crawford, Jr. Collection. New York: Dover Publications, 1978, pp. 38–41, fig. 19.
Cahill, James. An Index of Early Chinese Painters and Paintings: T'ang, Sung, and Yüan. Berkeley: University of California Press, 1980.
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, pp. 98–99, cat. no. A15-023.
Shih Shou-ch'ien, Maxwell K. Hearn, and Alfreda Murck. The John M. Crawford, Jr., Collection of Chinese Calligraphy and Painting in the Metropolitan Museum of Art: Checklist. Exh. cat. New York: The Metropolitan Museum of Art, 1984, p. 20, cat. no. 29.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 222–25, pls. 30a, 30b.
Hearn, Maxwell K., and Wen C. Fong. Along the Riverbank: Chinese Paintings from the C. C. Wang Family Collection. Exh. cat. New York: The Metropolitan Museum of Art, 1999, p. 91, fig. 66.
Murck, Alfreda. Poetry and Painting in Song China: The Subtle Art of Dissent. Cambridge, Mass.: Harvard University Asia Center for the Harvard-Yenching Institute, 2000, pp. 246–50, figs. 38–40.
Törmä, Minna. Landscape Experience as Visual Narrative: Northern Song Dynasty Landscape Handscrolls in the Li Cheng–Yan Wengui Tradition. Helsinki: Academia Scientiarum Fennica, 2002, p. 107, fig. 45.