Meeting between Yaoshan and Li Ao 藥山李翱問道圖
Item
Title
Meeting between Yaoshan and Li Ao
藥山李翱問道圖
藥山李翱問道圖
Description
(none)
identifier
40278
Source
https://www.metmuseum.org/art/collection/search/40278
Creator
Unidentified artist
Attributed to Zhiweng (conjecture)
傳直翁
Attributed to Zhiweng (conjecture)
傳直翁
annotates
Other inscription
Yanxi Guangwen 偃溪廣聞 (1189–1263), 8 columns in semi-cursive script, undated; 2 seals:
All moments of enlightenment come in a flash;
Why distrust your eye and value your ear?
Just as between the water and the clouds,
Don’t say there is nothing there.[1]
???? [Seals]: Guangwen yinzhang, Yanxi
全機劈面來，賤目而貴耳。
便是水雲間，莫道無餘事。
住冷泉囗囗 [印]： 廣聞印章、偃溪
[1] Translation from Maxwell K. Hearn, How to Read Chinese Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 2008, cat. no. 13, p. 66.
Yanxi Guangwen 偃溪廣聞 (1189–1263), 8 columns in semi-cursive script, undated; 2 seals:
All moments of enlightenment come in a flash;
Why distrust your eye and value your ear?
Just as between the water and the clouds,
Don’t say there is nothing there.[1]
???? [Seals]: Guangwen yinzhang, Yanxi
全機劈面來，賤目而貴耳。
便是水雲間，莫道無餘事。
住冷泉囗囗 [印]： 廣聞印章、偃溪
[1] Translation from Maxwell K. Hearn, How to Read Chinese Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 2008, cat. no. 13, p. 66.
Abstract
(none)
Rights Holder
Metropolitan Museum of Art
Identifier
1982.2.1
References
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, p. 126, cat. no. A17-003.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 352–53, 355, pl. 77.
Lee, Hui-shu. Exquisite Moments: West Lake & Southern Song Art. Exh. cat. New York: China Institute in America, 2001, pp. 124–25, cat. no. 34.
Weidner, Marsha, ed. Cultural Intersections in Later Chinese Buddhism. Honolulu: University of Hawaii Press, 2001, p. 17, fig. 1.4.
Hearn, Maxwell K. How to Read Chinese Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 2008, pp. 66–67, cat. no. 13.
He Muwen 何慕文 (Hearn, Maxwell K.). Ruhe du Zhongguo hua: Daduhui Yishu Bowuguan cang Zhongguo shuhua jingpin daolan 如何读中国画 : 大都会艺术博物馆藏中国书画精品导览 (How to read Chinese paintings) Translated by Shi Jing 石静. Beijing: Beijing daxue chubanshe, 2015, pp. 314–17, cat. no. 37.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 352–53, 355, pl. 77.
Lee, Hui-shu. Exquisite Moments: West Lake & Southern Song Art. Exh. cat. New York: China Institute in America, 2001, pp. 124–25, cat. no. 34.
Weidner, Marsha, ed. Cultural Intersections in Later Chinese Buddhism. Honolulu: University of Hawaii Press, 2001, p. 17, fig. 1.4.
Hearn, Maxwell K. How to Read Chinese Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 2008, pp. 66–67, cat. no. 13.
He Muwen 何慕文 (Hearn, Maxwell K.). Ruhe du Zhongguo hua: Daduhui Yishu Bowuguan cang Zhongguo shuhua jingpin daolan 如何读中国画 : 大都会艺术博物馆藏中国书画精品导览 (How to read Chinese paintings) Translated by Shi Jing 石静. Beijing: Beijing daxue chubanshe, 2015, pp. 314–17, cat. no. 37.