Palace Ladies Bathing Children 戲嬰圖
Item
Title
Palace Ladies Bathing Children
戲嬰圖
戲嬰圖
Description
(none)
identifier
39935
Source
https://www.metmuseum.org/art/collection/search/39935
Creator
Unidentified artist
After Zhou Fang
倣周昉
After Zhou Fang
倣周昉
annotates
Label strip
Zhang Heng 張珩 (1915–1963), 1 column in standard script, undated; 1 seal:
唐周昉 《戲嬰圖》，張氏珍玩。 [印]： 張珩
Colophons
1. Zhang Shen 張紳 (14th century), 2 columns in standard script, dated 1372; 1 seal:
周昉戲嬰圖。經紹興御府收覽，真跡無疑。壬子秋齋郡張紳題。 [印]: 士行父
2. Gao Qi 高啟 (1336–1374), 9 columns in standard script, undated; 2 seals:
題彥亷所藏戲嬰圖。
芍藥風闌側，梧桐露井傍。嬌嬰爭晚戲，少婦鬪春粧。
共詫珠生蚌，還怜玉產岡。半披文錦褓，斜佩紫羅囊。
額髮葳蕤短，胸肌細膩光。庭前王氏子，陌上衛家郎。
弱草身眠軟，芳英手弄香。隨人貪作劇，避伴學迷藏。
莫撲花胡蝶，宜為蠟鳳凰。塗添雲母粉，浴試水沉湯。
麟送徐卿宅，蘭生謝傅堂。愛均看捴好，年並比誰長。
驥種雖難匹，鵷鶵已作行。憐君得此畫，真是夢態祥。
勃海高啟 [印]: 高啟私印、高季迪
3. Qian Pu 錢溥 (1408–1488), 7 columns in standard script, dated 1451:
海虞陳原錫所藏周昉士女戲嬰圖，妙絕千古，雖伯時、漢臣輩以士女以嬰兒名家者，莫能並臻奇妙。然觀者徒以粧容閒雅，調戲生動可愛，而不知子生其懷，顧復保護之天至者，使人覽之，則孝思之情可以油然生矣。豈犆為觀美也哉。景泰辛未春正月雲間錢溥書于玩古齋。
Zhang Heng 張珩 (1915–1963), 1 column in standard script, undated; 1 seal:
唐周昉 《戲嬰圖》，張氏珍玩。 [印]： 張珩
Colophons
1. Zhang Shen 張紳 (14th century), 2 columns in standard script, dated 1372; 1 seal:
周昉戲嬰圖。經紹興御府收覽，真跡無疑。壬子秋齋郡張紳題。 [印]: 士行父
2. Gao Qi 高啟 (1336–1374), 9 columns in standard script, undated; 2 seals:
題彥亷所藏戲嬰圖。
芍藥風闌側，梧桐露井傍。嬌嬰爭晚戲，少婦鬪春粧。
共詫珠生蚌，還怜玉產岡。半披文錦褓，斜佩紫羅囊。
額髮葳蕤短，胸肌細膩光。庭前王氏子，陌上衛家郎。
弱草身眠軟，芳英手弄香。隨人貪作劇，避伴學迷藏。
莫撲花胡蝶，宜為蠟鳳凰。塗添雲母粉，浴試水沉湯。
麟送徐卿宅，蘭生謝傅堂。愛均看捴好，年並比誰長。
驥種雖難匹，鵷鶵已作行。憐君得此畫，真是夢態祥。
勃海高啟 [印]: 高啟私印、高季迪
3. Qian Pu 錢溥 (1408–1488), 7 columns in standard script, dated 1451:
海虞陳原錫所藏周昉士女戲嬰圖，妙絕千古，雖伯時、漢臣輩以士女以嬰兒名家者，莫能並臻奇妙。然觀者徒以粧容閒雅，調戲生動可愛，而不知子生其懷，顧復保護之天至者，使人覽之，則孝思之情可以油然生矣。豈犆為觀美也哉。景泰辛未春正月雲間錢溥書于玩古齋。
Abstract
Collectors' seals
An Qi 安歧 (1683–after 1742)
□府之寶
Li Hongyi 李鴻裔 (dates unknown)
李鴻裔鑑藏印
Zhang Heng 張珩 (1915–1963)
張珩私印
吳興張氏圖書之記
An Qi 安歧 (1683–after 1742)
□府之寶
Li Hongyi 李鴻裔 (dates unknown)
李鴻裔鑑藏印
Zhang Heng 張珩 (1915–1963)
張珩私印
吳興張氏圖書之記
Rights Holder
Metropolitan Museum of Art
Identifier
40.148
References
Priest, Alan. Aspects of Chinese Painting. New York: Macmillan, 1954, pp. 68–69.
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, p. 25, cat. no. A1-124.
Burn, Barbara. Metropolitan Children. New York: The Metropolitan Museum of Art, 1984, front and back endpapers.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 22–23, pl. 2.
An Qi 安岐. Moyuan huiguan 墨緣彚觀 (Viewing records of works in ink). Preface dated 1742, juan 3 of the painting section. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chinese painting and calligraphy) Edited by Lu Fusheng 盧輔聖. Zhongguo shuhua quanshu, 10, vol. 10, Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 10, p. 414.
Wu Sheng 吳升. Daguan lu 大觀錄 (Records from a grand view). Preface dated 1712, juan 11. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chinese painting and calligraphy) Edited by Lu Fusheng 盧輔聖. Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 8, p. 386.
Silbergeld, Jerome, and Dora C. Y. Ching, eds. The Family Model in Chinese Art and Culture. Princeton: Princeton University Press, 2013, p. 305, fig. 3.
Kwok, Zoe S. The Eternal Feast; Banqueting in Chinese Art from the 10th to the 14th Century. Exh. cat. Princeton, N. J.: Princeton University Art Museum, 2019, pp. 55, 83, 127–29, 147, cat. no. 22.
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, p. 25, cat. no. A1-124.
Burn, Barbara. Metropolitan Children. New York: The Metropolitan Museum of Art, 1984, front and back endpapers.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 22–23, pl. 2.
An Qi 安岐. Moyuan huiguan 墨緣彚觀 (Viewing records of works in ink). Preface dated 1742, juan 3 of the painting section. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chinese painting and calligraphy) Edited by Lu Fusheng 盧輔聖. Zhongguo shuhua quanshu, 10, vol. 10, Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 10, p. 414.
Wu Sheng 吳升. Daguan lu 大觀錄 (Records from a grand view). Preface dated 1712, juan 11. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chinese painting and calligraphy) Edited by Lu Fusheng 盧輔聖. Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 8, p. 386.
Silbergeld, Jerome, and Dora C. Y. Ching, eds. The Family Model in Chinese Art and Culture. Princeton: Princeton University Press, 2013, p. 305, fig. 3.
Kwok, Zoe S. The Eternal Feast; Banqueting in Chinese Art from the 10th to the 14th Century. Exh. cat. Princeton, N. J.: Princeton University Art Museum, 2019, pp. 55, 83, 127–29, 147, cat. no. 22.
abstract
imitation