Snowy landscape with rustic riverside retreat 溪山雪意圖

Item

Title

Snowy landscape with rustic riverside retreat
溪山雪意圖

Description

(none)

identifier

40987

Source

https://www.metmuseum.org/art/collection/search/40987

Creator

Unidentified artist

Attributed to Liu Songnian (conjecture)
傳劉松年

Traditionally attributed to Gao Keming (conjecture)
舊傳高克明

annotates

Other inscriptions on the Painting

1. Unidentified artist, 1 column in standard script, undated:

Gao Keming (active 1st half of 11th c.)
高克明

2. Unidentified artist, 1 column in standard script, dated 1035:
景祐二年少監簿主高克明上進。

3. Mr. Mou 牟氏 (dates unknown), 2 columns in standard script, undated
囗州牟氏囗齋清玩

Label Strip

Wu Kuan 吳寬 (1436–1504), 1 column in standard script, undated:

Gao Keming's Depiction of Snowy Streams and Hills, inscribed by Wu Kuan

高克明 《溪山雪意圖》。吳寬題。

Colophon

Wu Kuan 吳寬 (1436–1504), 23 columns in semi-cursive script, undated; 1 seal:

赤腳真人龍鳳姿,俯視藝苑時游嬉。
良工待詔金門裏,高生前身應畫師。
含豪吮墨立良久,自言臣是唐王維。
平生胸中無一物,獨有山水能容之。
郭熙成名乃新進,范寬得意纔並馳。
丹青競巧稱院體,後來不比宣和時。
密竹千岡松萬壑,蒼翠峰巒白湖濼。
岸傍桂楫何處移,磵曲茆堂是誰縛?
行人暮歸天漠漠,遙望前村愁雪落。
船頭一老自閑暇,詩思分明入寥廓。
劉侯朝囘過燕市,亦復愛畫入骨髓。
偶從太僕得此圖,每一開之心輒喜。
天全僲翁[徐有貞]惜題字,評品數行非侫史。
翁今已逝侯亦亡,兩洞庭荒渺湖水。
石田[沈周]多才從後起,況有佳兒好文事。
只今奇物欣有託,賦詩獨愧前人耳。
宋社久已屋,宋畫如有神。
劉侯地下勿長嘆,楚弓得失皆吾人。

延陵吳寬 [印]: 原博

Abstract

Collectors' seals

Zhu Gang 朱棡 (Prince of Jin, 1358–1398)
晉府圖書
晉府書畫之印
乾坤清玩
清和堂章
緝熙敬止

Wang Shizhen 王世貞 (1526–1590)
王元美氏

Qing emperor Qianlong 清帝乾隆 (r. 1736–1795)
石渠寳笈
寳笈三編
珍祕
希世之寳
三希堂精鋻璽
宜子孫

Qing emperor Jiaqing 清帝嘉慶 (r. 1796–1820)
嘉慶鑑賞
嘉慶御覽之寳

Qing emperor Xuantong 清帝宣統 (r. 1909–1911)
宣統鑑賞
宣統御覽之寳
無逸齋精鑑璽

Gu Luofu 顧洛阜 (John M. Crawford, Jr., 1913–1988)
顧洛阜
漢光閣

Unidentified

東臯

Illegible: 5
王囗保
囗囗寳之
囗世囗印
囗囗保書畫印
一殘印

Rights Holder

Metropolitan Museum of Art

Identifier

1984.274

References

Midian zhulin shiqu baoji sanbian 秘殿珠林石渠寶笈三編 (Catalogue of painting and calligraphy in the Qianlong imperial collection, third series). Preface dated 1816. Facsimile reprinted of an original manuscript copy. 10 vols. vol. 3, Taipei: National Palace Museum, 1969, pp. 1388–89.

Weng, Wan-go, and Thomas Lawton. Chinese Painting and Calligraphy: A Pictorial Survey: 69 Fine Examples from the John Crawford, Jr. Collection. New York: Dover Publications, 1978, pp. 2–9, 29, cat. no. 2.

Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, pp. 104–105, cat. no. A15-040.

Shih Shou-ch'ien, Maxwell K. Hearn, and Alfreda Murck. The John M. Crawford, Jr., Collection of Chinese Calligraphy and Painting in the Metropolitan Museum of Art: Checklist. Exh. cat. New York: The Metropolitan Museum of Art, 1984, pp. 20, 35, cat. no. 31.

Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 108–11, pls. 14, 14a.

Bian Yongyu 卞永譽. Shigu Tang shuhua huikao 式古堂書畫彙考 (Studies of calligraphy and painting from the Shigu Tang Studio). Preface dated 1682, juan 11 of painting section. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chi ptg. & calligr.) Edited by Lu Fusheng 盧輔聖. Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 6, p. 952.

Flacks, Marcus. Custodians of the Scholar's Way: Chinese Scholars' Objects in Precious Woods. London: Sylph Editions, 2014, pp. 62–63.

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