Clearing Autumn Skies over Mountains and Valleys谿山秋鑓圖
Item
Title
Clearing Autumn Skies over Mountains and Valleys谿山秋鑓圖
Description
(none)
Source
https://asia.si.edu/object/F1916.538
Creator
Guo Xi (attributed to) (傳) 郭熙
annotates
(none)
Abstract
27 Total
1. Ke Jiusi 柯九思 (1290–1343) – (2)
Ke Jiusi『柯九思』(square relief; black ink) – painting, lower left
Ke shi qingwan『柯氏清玩』(rectangle relief) – painting, lower left
2. Wu Xiyuan 吳希元 (1551–1606) – (6)
Wu Xinyu zhencang yin『吳新宇珍藏印』(rectangle relief) – painting, lower right
Wu Xiyuan yin『吳希元印』(square relief) – painting, lower left
Xinyu『新宇』(square relief ) – painting, lower left
Xinyu『新宇』(square intaglio, left half) – colophon paper 1, right
Ruming fu『汝明父』(square relief) – colophons 1-2 paper join
Zisun bao zhi『子孫寶之』(square relief) – colophons 1-2 paper join
3. Wu Zhen 吳楨 (early to mid-17th century; 1620s–30s) – (2)
Wu Zhen『吳楨』(square relief) – painting, lower left
Zhousheng『周生』(square intaglio/relief) – painting, lower left
4. Zhou Zuoxin 周祚新 (active 1627– ) – (2)
Zhou Zuoxin yin『周祚新印』(square intaglio) – painting, mid left
Monong『墨農』(square relief ) – painting, mid left
5. Guiliang 桂良 (1785–1862) – (2)
Yanshan shending『燕山審定』(square relief) – mounting silk 2
Guaerjia shi Yanshan Guiliang zhencang shuhua yin『瓜爾佳氏燕山桂良珍藏書畫
印』(square relief) – mounting silk 2
6. Wanyan Jingxian 完顏景賢 (died 1927?) – (1)
Jingxian cengguan『景賢曾觀』(rectangle relief) – colophon paper 3, far left
7. Pang Yuanji 龐元濟 (1865–1949) – (1)
Xuzhai shending mingji『虛齋審定名蹟』(square relief) – mounting silk 2
8. Unidentified – (11)
Remnants of square half-seal – painting, upper right
X-bao『□寶』(rectangle relief) – painting, upper right
Large square relief? seal, faded/damaged – painting, upper left
Remnants of seal – painting, mid left
Remnants of seal over damaged writing – painting, mid left
Zhang Tingfa yin『張霆發印』(square relief) – painting, lower left
Zhang shi zhenwan『張氏珍玩』(square relief) – painting, lower left
Jin-x jianshang『金□鑑賞』(square intaglio) – painting, lower left
X-yunguan『□雲館』(circle relief, left half) – colophon 1, right
Zhou Shihe yin『周士和印』(square intaglio) – colophon papers 1/2 join – 1/2
Zhou Shihe yin『周士和印』(square intaglio) – colophon paper 2, far left – 2/2
1. Ke Jiusi 柯九思 (1290–1343) – (2)
Ke Jiusi『柯九思』(square relief; black ink) – painting, lower left
Ke shi qingwan『柯氏清玩』(rectangle relief) – painting, lower left
2. Wu Xiyuan 吳希元 (1551–1606) – (6)
Wu Xinyu zhencang yin『吳新宇珍藏印』(rectangle relief) – painting, lower right
Wu Xiyuan yin『吳希元印』(square relief) – painting, lower left
Xinyu『新宇』(square relief ) – painting, lower left
Xinyu『新宇』(square intaglio, left half) – colophon paper 1, right
Ruming fu『汝明父』(square relief) – colophons 1-2 paper join
Zisun bao zhi『子孫寶之』(square relief) – colophons 1-2 paper join
3. Wu Zhen 吳楨 (early to mid-17th century; 1620s–30s) – (2)
Wu Zhen『吳楨』(square relief) – painting, lower left
Zhousheng『周生』(square intaglio/relief) – painting, lower left
4. Zhou Zuoxin 周祚新 (active 1627– ) – (2)
Zhou Zuoxin yin『周祚新印』(square intaglio) – painting, mid left
Monong『墨農』(square relief ) – painting, mid left
5. Guiliang 桂良 (1785–1862) – (2)
Yanshan shending『燕山審定』(square relief) – mounting silk 2
Guaerjia shi Yanshan Guiliang zhencang shuhua yin『瓜爾佳氏燕山桂良珍藏書畫
印』(square relief) – mounting silk 2
6. Wanyan Jingxian 完顏景賢 (died 1927?) – (1)
Jingxian cengguan『景賢曾觀』(rectangle relief) – colophon paper 3, far left
7. Pang Yuanji 龐元濟 (1865–1949) – (1)
Xuzhai shending mingji『虛齋審定名蹟』(square relief) – mounting silk 2
8. Unidentified – (11)
Remnants of square half-seal – painting, upper right
X-bao『□寶』(rectangle relief) – painting, upper right
Large square relief? seal, faded/damaged – painting, upper left
Remnants of seal – painting, mid left
Remnants of seal over damaged writing – painting, mid left
Zhang Tingfa yin『張霆發印』(square relief) – painting, lower left
Zhang shi zhenwan『張氏珍玩』(square relief) – painting, lower left
Jin-x jianshang『金□鑑賞』(square intaglio) – painting, lower left
X-yunguan『□雲館』(circle relief, left half) – colophon 1, right
Zhou Shihe yin『周士和印』(square intaglio) – colophon papers 1/2 join – 1/2
Zhou Shihe yin『周士和印』(square intaglio) – colophon paper 2, far left – 2/2
Rights Holder
National Museum of Asian Art (Freer Sackler)
Identifier
F1916.538
References
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: Zhu shi jiashu 朱氏家塾, 1888. Wu 午:30a.
Wu Qizhen 吳其真 (1607–ca. 1678). Shuhuaji 書畫記. 2 vols. Shanghai: Renmin meishu
chubanshe, 1963. Vol. 2, 5:517.
Bian Yongyu 卞永譽 (1645–1712), comp. Shigutang shuhua huikao 式古堂書畫彙考
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Shengyilou 李氏聖譯樓, 1920. 13:28.
An Qi 安岐 (1683–after 1744). Moyuan huiguan 墨緣彙觀. Preface 1742. 6 vols.
Beijing: Hanwenzhai 翰文齋, 1914. Vol. 5, Ming handscrolls, 1:30b.
Zhu Fengtai 朱逢泰 (active late-18th century). Woyou suilu 臥游隨錄. In Lu Fusheng 盧輔
聖 et al., eds. Zhongguo shuhua quanshu 中國書畫全書. 14 vols. Shanghai: Shanghai shuhua
chubanshe, 1993–99. Vol. 10, 965 (top).
Li Baoxun 李葆恂 (1859–1915). Wuyiyouyizhai lunhua shi 無益有益齋論畫詩. Preface
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Wanyan Jingxian 玩顏景賢 (died 1927?). Sanyutang shuhua mu 三虞堂書畫目. Preface
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楊家駱, ed. Dushu zhaji congkan 讀書劄記叢刊. Series 2. Vol. 38. Yunzizaikan suibi deng
sanzhong 雲自在龕隨筆等三種. Taibei: Shijie shuju, 1963.
Zhang Heng 張珩 (1914–1963). Muyanzhai shuhua jianshang biji: huihua si, shang 木雁齋
書畫鑒賞筆記︰繪畫四，上. Beijing: Wenwu chubanshe, 2000. Pp. 65–66.
Taki Sei-ichi 瀧精一 (1873–1945). ―Art Treasures in the Collection of Mr. Tuan-fang,
exViceroy of Chih-li.‖ In Kokka 國華 250 (March 1911): 264, 273–77, and plates 3–4.
Rhoades, Katherine N. (1885–1965). ―Recent additions to the Freer collection.‖ In Art and
Archaeology 8.5 (October 1919): 279.
Fischer, Otto (1886–1948). Die Kunst Indiens, Chinas und Japans. Berlin: Propyläen-Verlag
[1928]. P. 492.
__________. Chinesische landschaftsmalerei. Berlin: Paul Neff Verlag, 1943. Plate 50.
Sirén, Osvald (1879–1966). Chinese Paintings in American Collections. 5 vols. Paris and
Brussels: G. van Oest, 1928. Vol. 1, plates 27–29.
__________. A History of Early Chinese Painting. 2 vols. London: The Medici Society,
1933. Vol. 2, plate 3.
__________. Chinese Painting; Leading Masters and Principles. 7 vols. New York: Ronald
Press Co., 1956–58. Vol. 3, plates 172–73.
Harada Kinjirō 原田謹次郎 (1882–?). Shina meiga hōkan 支那名畫寶鑒 (The Pageant of
Chinese Painting). Tokyo: Ōtsuka kōgeisha, 1936. Plates 74–75.
Cohn, William (1880–1961). Chinese Painting. London: Phaidon Press: New York, Oxford
University Press, 1948. Plate 50.
Munsterberg, Hugo (1916–1995). A Short History of Chinese Art. New York: Philosophical
Library, 1949. Plate 36.
__________. The Landscape Painting of China and Japan. Rutland VT & Tokyo: Charles E.
Tuttle, 1955. Plates 25–26.
Buhot, Jean (1885–1952). Arts de la Chine. Paris: Éditions du Chène, 1951. Plate 84.
Shimada Shūjirō 島田修二郎 (1907–1994) and Yonezawa Yoshiho 米沢嘉圃 (1906–1993).
Painting of Sung and Yuan Dynasties. Tokyo: Mayuyama & Co., 1952. Pp. 26–27 and plate
26.
Zheng Zhenduo 鄭振鐸 (1898–1958). Weida de yishu chuantong tulu 偉大的藝術傳統圖錄.
2 vols. Shanghai: Shanghai chuban gongsi, 1954. Vol. 1, plate 1 (6th set).
Wenley, Archibald G. (1898–1962). “Clearing Autumn Skies over Mountains and Valleys,
attributed to Kuo Hsi.‖ In Archives of the Chinese Art Society of America 10 (1956): 30–41.
Sickman, Laurence (1906–1988), and Alexander Soper (1904–1993). The Art and
Architecture of China. [Baltimore]: Penguin Books, 1956. P. x, plate 90. Ed. 1971: Pp. 218–
19, plate 154.
Xie Zhiliu 謝稚柳 (1910–1997). Tang Wudai Song Yuan mingji 唐五代宋元名迹. Shanghai:
Gudian wenxue, 1957. Plates 15–20 and discussion.
__________. Guo Xi Wang Shen heji 郭熙王詵合集. Shanghai: Renmin meishu chubanshe,
1992. Pp. 3–4, 56–60.
Suzuki, Kei 鈴木敬 (1920–2007), ed. Sansuiga: Chūgoku 山水畫 : 中國. Tokyo: Iwanami
shoten, 1957. Pp. 8–9 (fig. 11a) and 36 (fig. 11b).
__________, and Akiyama Terukazu 秋山光和, eds. Chūgoku bijutsu: kaiga I 中國美術：
繪畫 1 (Chinese Art in Western Collections: Paintings 1). Tokyo: Kodansha, 1973. Color
plate 4 and pp. 218–19.
__________. Chūgoku kaiga shi 中國繪畫史. Tokyo: Yoshikawa kōbunkan, 1981. Vol. 1,
part 1, 218; and part 2, 75, note 259, and 142–43 (plates 145.1–4).
__________, ed. Chūgoku kaiga sōgō zuroku 中國繪畫總合圖錄 (Comprehensive
Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of Tokyo, 1982–83.
Vol. 1, 210–11 (A21–059).
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abstract
Traditionally attributed to Guo Xi (傳) 郭熙