Portrait of Feng Ping 馮平像
Item
Title
Portrait of Feng Ping 馮平像
Description
Painting inscription:
Anonymous, 11th century (?)
Painting, upper right
1 column, standard script
駕部郎中致仕馮平八十七歲
Feng Ping, retired secretary of the board of war, in his eighty-seventh year
Signature: none
Date: none
Seals: none
Anonymous, 11th century (?)
Painting, upper right
1 column, standard script
駕部郎中致仕馮平八十七歲
Feng Ping, retired secretary of the board of war, in his eighty-seventh year
Signature: none
Date: none
Seals: none
Source
https://asia.si.edu/object/F1948.11
Creator
Unidentified artist
annotates
(none)
Abstract
3 Total
1. Bi 畢family (12th century)4 – (1) Bi shi [xx]『畢氏□□』(square intaglio; right half) – lower left
2. Zhu Derun 朱德潤(1294–1365)5 – (1) [Suiyang] shijia『[睢陽]世家』(square relief; left half) – lower right
3. Unidentified – (1) Partial square (?) relief – lower left
Traditional Chinese catalogues:
(4)
1. Bi 畢family (12th century)4 – (1) Bi shi [xx]『畢氏□□』(square intaglio; right half) – lower left
2. Zhu Derun 朱德潤(1294–1365)5 – (1) [Suiyang] shijia『[睢陽]世家』(square relief; left half) – lower right
3. Unidentified – (1) Partial square (?) relief – lower left
Traditional Chinese catalogues:
(4)
Rights Holder
National Museum of Asian Art (Freer Sackler)
Identifier
F1948.11
References
Du Mu 都穆(1458–1525). Yuyi bian 寓意編. In Huang Binhong黃賓虹(1865–1955) and Deng Shi 鄧實(died 1948), comps. Meishu congshu美術叢書(1912–36). Taibei: Yiwen yinshuguan藝文印書館, 1947. Vol. 6, II/1:273.
Zhu Cunli朱存理(1444–1513), attr. (Zhao Qimei 趙琦美[1563–1624], comp.) Tiewang shanhu鐵網珊瑚. Postscript 1600. China: Nian Xiyao (1671–1738) Chengjiantang年希堯澄鑒堂, 1728. Hua3:2a–20b.
Bian Yongyu 卞永譽(1645–1712), comp. Shigutang shuhua huikao式古堂書畫彙考. Wuxing: Jiangu shushe 鑑古書社, 1921. Hua畫15:45a–63b.
Li Baoxun 李葆恂(1859–1915), comp. Wuyiyouyizhai lunhua shi無益有益齋論畫詩. Preface 1909. Hankou: Weixin yinshuguan 維新印書館, 1909. Shang:11a–b.
Selected Bibliography
F.S. Kwen (Guan Fuchu)管復初. Descriptive Catalogue of Ancient and Genuine Chinese Paintings. Shanghai: Laiyuan Company, 1916. No pagination, no. 60.
Sirén, Osvald (1879–1966). Chinese Painting: Leading Masters and Principles. 7 vols. New York: The Ronald Press, 1956. Vol. 3, plate 202 (Wang Huan).
Li Lincan 李霖燦(1913–1999). “Suiyang wulao tu”《睢陽五老圖》. In Dalu zazhi大陸雜誌
12.9 (1956): 272–75. Reprint in: Li Lincan. Zhongguo minghua yanjiu中國名畫研究. 2 vols. Taibei: Yiwen yinshuguan, 1973. Vol. 1, 55–61.
__________. “Suiyang wulao tu de fuyuan”《睢陽五老圖》的復原. In Dalu zazhi大陸雜誌20.3 (1960): 73–77; and 20.4 (1960):115–121. Reprint in: Li Lincan. Zhongguo minghua yanjiu. Vol. 1, 67–84.
__________. “The Five Old Men of Sui-yang.” In National Palace Museum Bulletin 8.5 (November-December 1973): 1–21.
__________. “Suiyang wulao tu houji”《睢陽五老圖》後記. In Li Lincan. Zhongguo minghua yanjiu. Vol. 1, 63–66.
Zhuang Shen 莊申. “Suiyang wulao tu bushu”《睢陽五老圖》補書. In Dalu zazhi大陸雜誌13.3 (1957): 83–90. Reprint in: Zhuang Shen. Zhongguo huashi yanjiu中國畫史研究. Taibei: Zhengzhong shuju, 1959. Pp. 231–50.
Li Junjie李俊傑. “Songren Suiyang wulao tu ji qi tiba”宋人《睢陽五老圖》及其題跋. In Shanghai bowuguan cangbao lu上海博物館藏寶錄. Hong Kong: Joint Publishing Co., 1958. Pp. 155–57.
Cahill, James F. Chinese Album Leaves in the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1961. P. 10 and 19 (plate 3).
Freer Gallery of Art. The Freer Gallery of Art I: China. Tokyo: Kodansha, 1972. P. 161.
Lawton, Thomas. Chinese Figure Painting. Washington DC: David R. Godine, in association with Freer Gallery of Art, Smithsonian Institution, 1973. Pp. 164–70.
Suzuki Kei 鈴木敬(1920–2007) and Akiyama Terukazu 秋山光和, eds. Chūgoku bijutsu: kaiga I中國美術：繪畫1 (Chinese Art in Western Collections: Paintings 1). Tokyo: Kodansha, 1973. Plate 61 and pp. 243–44.
Suzuki Kei 鈴木敬(1920–2007), ed. Chūgoku kaiga sōgō zuroku中國繪畫總合圖錄(Comprehensive Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of Tokyo, 1982–83. Vol. 1, 232 (A21–095-2).
__________. Chūgoku kaiga shi中國繪畫史. Tokyo: Yoshikawa Kōbunkan, 1984. Vol. 2, part 1, section 1, 196–97; section 2, 64–65, note 140; and part 2, section 2, 142–43, plates 128 (1–5).
Laing, Ellen Johnston. Scholars and Sages: A Study in Chinese Figure Painting. PhD. Dissertation: The University of Michigan, 1967. Vol. 1, 107; and vol. 2, plate 33.
Guoli gugong bowuyuan 國立故宮博物院, eds. Haiwai yizhen: huihua海外遺珍：繪畫(Chinese Art in Overseas Collections: Paintings). Taibei: Gugong bowuyuan, 1985. P. 34.
Sturman, Peter Charles. “In the Realm of Naturalness: Problems of Self-Imaging by the Northern Sung Literati.” In Maxwell K. Hearn and Judith K. Smith, eds. Arts of the Sung and Yüan. New York: Metropolitan Museum of Art, 1996. Pp. 167–69.
Haiwai cang Zhongguo lidai minghua bianji weiyuanhui 海外藏中國歷代名畫編輯委員會, eds. Haiwai cang Zhongguo lidai minghua海外藏中國歷代名畫. 8 vols. Changsha: Hunan meishu chubanshe, 1998. Vol. 2, 190 and 195 (no. 113).
Wang Lianqi 王連起. “Songren Suiyang wulao tu kao”宋人《睢陽五老圖》考. In Gugong bowuyuan yuankan 故宮博物院院刊1 (2003): 7–21. Reprint in: Qiannian yizhen guoji xueshu yantaohui lunwenji bianji weiyuanhui 千年遺珍國際學術研討會論文集編輯委員會, eds. Qiannian yizhen guoji xueshu yantaohui lunwenji千年遺珍國際學術研討會論文集. Shanghai: Shanghai shuhua chubanshe, 2006. Pp. 605–19.
Itakura Masaaki 板倉聖哲. “Suiyang wulao tuxiang de chengli yu kaizhan: Bei Song zhishifenzi de huihua biaoxiang”睢陽五老圖象的成立與開展﹕北宋知識份子的繪畫表象(The Transformation in Imagery of the Five Elders of Sui-yang: Representing Northern Sung Intellectuals via Painting). In Wang Yaoting王耀庭, ed. Kaichuang dianfan: Bei Song de yishu yu wenhua yantaohui lunwenji開創典範: 北宋的藝術與文化研討會論文集. Taibei: Guoli gugong bowuyuan, 2008. Pp. 325–45.
Zhejiang daxue Zhongguo gudai shuhua yanjiu zhongxin 浙江大學中國古代書畫研究中心, eds. Song hua quanji: di liu juan, di liu ce宋畫全集: 第六卷，第六冊. Hangzhou: Zhejiang daxue chubanshe, 2008. Pp. 6–8 and 253 (no. 2).
Zhu Cunli朱存理(1444–1513), attr. (Zhao Qimei 趙琦美[1563–1624], comp.) Tiewang shanhu鐵網珊瑚. Postscript 1600. China: Nian Xiyao (1671–1738) Chengjiantang年希堯澄鑒堂, 1728. Hua3:2a–20b.
Bian Yongyu 卞永譽(1645–1712), comp. Shigutang shuhua huikao式古堂書畫彙考. Wuxing: Jiangu shushe 鑑古書社, 1921. Hua畫15:45a–63b.
Li Baoxun 李葆恂(1859–1915), comp. Wuyiyouyizhai lunhua shi無益有益齋論畫詩. Preface 1909. Hankou: Weixin yinshuguan 維新印書館, 1909. Shang:11a–b.
Selected Bibliography
F.S. Kwen (Guan Fuchu)管復初. Descriptive Catalogue of Ancient and Genuine Chinese Paintings. Shanghai: Laiyuan Company, 1916. No pagination, no. 60.
Sirén, Osvald (1879–1966). Chinese Painting: Leading Masters and Principles. 7 vols. New York: The Ronald Press, 1956. Vol. 3, plate 202 (Wang Huan).
Li Lincan 李霖燦(1913–1999). “Suiyang wulao tu”《睢陽五老圖》. In Dalu zazhi大陸雜誌
12.9 (1956): 272–75. Reprint in: Li Lincan. Zhongguo minghua yanjiu中國名畫研究. 2 vols. Taibei: Yiwen yinshuguan, 1973. Vol. 1, 55–61.
__________. “Suiyang wulao tu de fuyuan”《睢陽五老圖》的復原. In Dalu zazhi大陸雜誌20.3 (1960): 73–77; and 20.4 (1960):115–121. Reprint in: Li Lincan. Zhongguo minghua yanjiu. Vol. 1, 67–84.
__________. “The Five Old Men of Sui-yang.” In National Palace Museum Bulletin 8.5 (November-December 1973): 1–21.
__________. “Suiyang wulao tu houji”《睢陽五老圖》後記. In Li Lincan. Zhongguo minghua yanjiu. Vol. 1, 63–66.
Zhuang Shen 莊申. “Suiyang wulao tu bushu”《睢陽五老圖》補書. In Dalu zazhi大陸雜誌13.3 (1957): 83–90. Reprint in: Zhuang Shen. Zhongguo huashi yanjiu中國畫史研究. Taibei: Zhengzhong shuju, 1959. Pp. 231–50.
Li Junjie李俊傑. “Songren Suiyang wulao tu ji qi tiba”宋人《睢陽五老圖》及其題跋. In Shanghai bowuguan cangbao lu上海博物館藏寶錄. Hong Kong: Joint Publishing Co., 1958. Pp. 155–57.
Cahill, James F. Chinese Album Leaves in the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1961. P. 10 and 19 (plate 3).
Freer Gallery of Art. The Freer Gallery of Art I: China. Tokyo: Kodansha, 1972. P. 161.
Lawton, Thomas. Chinese Figure Painting. Washington DC: David R. Godine, in association with Freer Gallery of Art, Smithsonian Institution, 1973. Pp. 164–70.
Suzuki Kei 鈴木敬(1920–2007) and Akiyama Terukazu 秋山光和, eds. Chūgoku bijutsu: kaiga I中國美術：繪畫1 (Chinese Art in Western Collections: Paintings 1). Tokyo: Kodansha, 1973. Plate 61 and pp. 243–44.
Suzuki Kei 鈴木敬(1920–2007), ed. Chūgoku kaiga sōgō zuroku中國繪畫總合圖錄(Comprehensive Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of Tokyo, 1982–83. Vol. 1, 232 (A21–095-2).
__________. Chūgoku kaiga shi中國繪畫史. Tokyo: Yoshikawa Kōbunkan, 1984. Vol. 2, part 1, section 1, 196–97; section 2, 64–65, note 140; and part 2, section 2, 142–43, plates 128 (1–5).
Laing, Ellen Johnston. Scholars and Sages: A Study in Chinese Figure Painting. PhD. Dissertation: The University of Michigan, 1967. Vol. 1, 107; and vol. 2, plate 33.
Guoli gugong bowuyuan 國立故宮博物院, eds. Haiwai yizhen: huihua海外遺珍：繪畫(Chinese Art in Overseas Collections: Paintings). Taibei: Gugong bowuyuan, 1985. P. 34.
Sturman, Peter Charles. “In the Realm of Naturalness: Problems of Self-Imaging by the Northern Sung Literati.” In Maxwell K. Hearn and Judith K. Smith, eds. Arts of the Sung and Yüan. New York: Metropolitan Museum of Art, 1996. Pp. 167–69.
Haiwai cang Zhongguo lidai minghua bianji weiyuanhui 海外藏中國歷代名畫編輯委員會, eds. Haiwai cang Zhongguo lidai minghua海外藏中國歷代名畫. 8 vols. Changsha: Hunan meishu chubanshe, 1998. Vol. 2, 190 and 195 (no. 113).
Wang Lianqi 王連起. “Songren Suiyang wulao tu kao”宋人《睢陽五老圖》考. In Gugong bowuyuan yuankan 故宮博物院院刊1 (2003): 7–21. Reprint in: Qiannian yizhen guoji xueshu yantaohui lunwenji bianji weiyuanhui 千年遺珍國際學術研討會論文集編輯委員會, eds. Qiannian yizhen guoji xueshu yantaohui lunwenji千年遺珍國際學術研討會論文集. Shanghai: Shanghai shuhua chubanshe, 2006. Pp. 605–19.
Itakura Masaaki 板倉聖哲. “Suiyang wulao tuxiang de chengli yu kaizhan: Bei Song zhishifenzi de huihua biaoxiang”睢陽五老圖象的成立與開展﹕北宋知識份子的繪畫表象(The Transformation in Imagery of the Five Elders of Sui-yang: Representing Northern Sung Intellectuals via Painting). In Wang Yaoting王耀庭, ed. Kaichuang dianfan: Bei Song de yishu yu wenhua yantaohui lunwenji開創典範: 北宋的藝術與文化研討會論文集. Taibei: Guoli gugong bowuyuan, 2008. Pp. 325–45.
Zhejiang daxue Zhongguo gudai shuhua yanjiu zhongxin 浙江大學中國古代書畫研究中心, eds. Song hua quanji: di liu juan, di liu ce宋畫全集: 第六卷，第六冊. Hangzhou: Zhejiang daxue chubanshe, 2008. Pp. 6–8 and 253 (no. 2).