Xin Pi Tugging the Emperor’s Robe 辛毗引裾圖
Item
Title
Xin Pi Tugging the Emperor’s Robe 辛毗引裾圖
Description
(none)
Source
https://asia.si.edu/object/F1917.332
Creator
Unidentified artist
annotates
Superscription: (1) – Wang Wenzhi 王文治 (1730–1802) – forgery
Old sutra paper; mounted on back of panel
Dimensions: 25.8 x 50.2 cm (10-3/16 x 19-3/4 in)
5 columns; running-standard script
王維《昭君出塞圖》。王文治。
Wang Zhaojun Leaving the Pass, by Wang Wei [ca. 701–761].2 Wang Wenzhi.
Signature: 王文治
Wang Wenzhi
Seals: (3) – forgeries
Shiye shanfang『柿葉山房』(rectangle relief) – upper right
Cengjing canghai『曾經滄海』(square intaglio)
Wang Wenzhi yin『王文治印』(square intaglio)
Old sutra paper; mounted on back of panel
Dimensions: 25.8 x 50.2 cm (10-3/16 x 19-3/4 in)
5 columns; running-standard script
王維《昭君出塞圖》。王文治。
Wang Zhaojun Leaving the Pass, by Wang Wei [ca. 701–761].2 Wang Wenzhi.
Signature: 王文治
Wang Wenzhi
Seals: (3) – forgeries
Shiye shanfang『柿葉山房』(rectangle relief) – upper right
Cengjing canghai『曾經滄海』(square intaglio)
Wang Wenzhi yin『王文治印』(square intaglio)
Abstract
17 Total
1. Geng Zhaozhong 耿昭忠 (1640–1686) – (8)
Zhenshang『真賞』(gourd relief) – top middle
Dancheng『丹誠』(circle intaglio) – upper left
Qinshutang『琴書堂』(square intaglio) – left side
Duwei Geng Xingong shuhua zhi zhang『都尉耿信公書畫之章』(square intaglio)
– left side
Zhenmi『珍秘』(square relief) – lower left
Yi er zisun『宜爾子孫』(square relief) – lower left
Gong『公』(square relief) – lower right
Xingong zhenshang『信公珍賞』(square relief) – lower right
2. Aerxipu 阿爾喜普 (late 17th–early 18th century)3
– (2)
Aerxipu zhi yin『阿爾喜普之印』(square intaglio) – left side Dongping『東
平』(square relief) – left side
3. Hongli 弘曆, the Qianlong 乾隆 emperor (1711–1799; reigned 1735–96) – (5)
Qianlong yulan zhi bao『乾隆御覽之寶』(oval relief) – top middle
Sanxitang jingjian xi『三希堂精鑒鑑璽』(rectangle relief) – upper right
Yi zisun『宜子孫』(square intaglio) – upper right
Qianlong jianshang『乾隆鑑賞』(circle intaglio) – upper left
Shiqu baoji『石渠寶笈』(rectangle relief) – left side
4. Duanfang 端方 (1861–1911) – (1)
Taozhai jiancang shuhua『陶齋鑒藏書畫』(square relief) – lower right
5. Unidentified – (1)
Illegible – bottom right
1. Geng Zhaozhong 耿昭忠 (1640–1686) – (8)
Zhenshang『真賞』(gourd relief) – top middle
Dancheng『丹誠』(circle intaglio) – upper left
Qinshutang『琴書堂』(square intaglio) – left side
Duwei Geng Xingong shuhua zhi zhang『都尉耿信公書畫之章』(square intaglio)
– left side
Zhenmi『珍秘』(square relief) – lower left
Yi er zisun『宜爾子孫』(square relief) – lower left
Gong『公』(square relief) – lower right
Xingong zhenshang『信公珍賞』(square relief) – lower right
2. Aerxipu 阿爾喜普 (late 17th–early 18th century)3
– (2)
Aerxipu zhi yin『阿爾喜普之印』(square intaglio) – left side Dongping『東
平』(square relief) – left side
3. Hongli 弘曆, the Qianlong 乾隆 emperor (1711–1799; reigned 1735–96) – (5)
Qianlong yulan zhi bao『乾隆御覽之寶』(oval relief) – top middle
Sanxitang jingjian xi『三希堂精鑒鑑璽』(rectangle relief) – upper right
Yi zisun『宜子孫』(square intaglio) – upper right
Qianlong jianshang『乾隆鑑賞』(circle intaglio) – upper left
Shiqu baoji『石渠寶笈』(rectangle relief) – left side
4. Duanfang 端方 (1861–1911) – (1)
Taozhai jiancang shuhua『陶齋鑒藏書畫』(square relief) – lower right
5. Unidentified – (1)
Illegible – bottom right
Rights Holder
National Museum of Asian Art (Freer Sackler)
Identifier
F1917.332
References
Suzuki Kei 鈴木敬 (1920–2007), ed. Chūgoku kaiga sōgō zuroku 中國繪畫總合圖錄
(Comprehensive Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of
Tokyo, 1982–83. Vol. 1, 252 (A21–233).
Lawton, Thomas. ―The Sixtieth Painting: An Ancient Theme Reidentified.‖ In Gugong
jikan 故宮季刊 11.1 (Autumn 1976): 17–35, and plates 1–10c. Chinese translation: ―Jiuti
xinding: Fulier yishuguan suocang de Xin Pi yinju tu” 舊題新定: 佛利爾藝術館所藏的
《辛毗引裾圖》, 11–23.
(Comprehensive Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of
Tokyo, 1982–83. Vol. 1, 252 (A21–233).
Lawton, Thomas. ―The Sixtieth Painting: An Ancient Theme Reidentified.‖ In Gugong
jikan 故宮季刊 11.1 (Autumn 1976): 17–35, and plates 1–10c. Chinese translation: ―Jiuti
xinding: Fulier yishuguan suocang de Xin Pi yinju tu” 舊題新定: 佛利爾藝術館所藏的
《辛毗引裾圖》, 11–23.