Dwelling in Seclusion in the Summer Mountains 夏山隱居圖
Item
Title
Dwelling in Seclusion in the Summer Mountains 夏山隱居圖
Description
Artist Inscription: (1) – painting, upper left
2 columns, standard script.
至正甲午暮春，吳興王蒙為仲方縣尹尊親作《夏山隱居》。
Last month of spring in the jiawu year of the Zhizheng reign period [March 25–April 23, 1354],
Wang Meng of Wuxing made Dwelling in Seclusion in the Summer Mountains for his honorable
kinsman, the district magistrate Zhongfang [unidentified].1
Signature: 王蒙
Wang Meng
Date: 至正甲午暮春
Last month of spring in the jiawu year of the Zhizheng reign period
[March 25–April 23, 1354]
Seals: none
2 columns, standard script.
至正甲午暮春，吳興王蒙為仲方縣尹尊親作《夏山隱居》。
Last month of spring in the jiawu year of the Zhizheng reign period [March 25–April 23, 1354],
Wang Meng of Wuxing made Dwelling in Seclusion in the Summer Mountains for his honorable
kinsman, the district magistrate Zhongfang [unidentified].1
Signature: 王蒙
Wang Meng
Date: 至正甲午暮春
Last month of spring in the jiawu year of the Zhizheng reign period
[March 25–April 23, 1354]
Seals: none
Source
https://asia.si.edu/object/F1959.17
Creator
Wang Meng 王蒙
annotates
(none)
Abstract
10 Total
1. Jiang Shaoshu 姜紹書 (active 1630–after 1679) – (2)
Eryou『二酉』(oval relief) – bottom left
Jiang Shaoshu yin『姜紹書印』(square intaglio) – bottom left
2. Zhang Daqian 張大千 (1899–1983)2 – (4)
Cang zhi Daqian『藏之大千』(rectangle relief) – top right
Nanbei dongxi zhi you xiangsui wu bieli『南北東西只有相隨無別離』(square relief) – mid
right
Zhang Yuan『張爰』(square intaglio) – mid right
Daqian『大千』(square relief) – mid right
2. Unidentified – (4)
Tuqian zhenshang『徒乾眞賞』(square relief) – bottom right
Ti『替』(square relief) – bottom right
Sima xx『司馬□□』(square intaglio) – bottom left
Yiri『衣日』(square? relief) – bottom left
1. Jiang Shaoshu 姜紹書 (active 1630–after 1679) – (2)
Eryou『二酉』(oval relief) – bottom left
Jiang Shaoshu yin『姜紹書印』(square intaglio) – bottom left
2. Zhang Daqian 張大千 (1899–1983)2 – (4)
Cang zhi Daqian『藏之大千』(rectangle relief) – top right
Nanbei dongxi zhi you xiangsui wu bieli『南北東西只有相隨無別離』(square relief) – mid
right
Zhang Yuan『張爰』(square intaglio) – mid right
Daqian『大千』(square relief) – mid right
2. Unidentified – (4)
Tuqian zhenshang『徒乾眞賞』(square relief) – bottom right
Ti『替』(square relief) – bottom right
Sima xx『司馬□□』(square intaglio) – bottom left
Yiri『衣日』(square? relief) – bottom left
Rights Holder
National Museum of Asian Art (Freer Sackler)
Identifier
F1959.17
References
Zhang Daqian 張大千 (1899–1983). Dafengtang mingji 大風堂名蹟. 4 vols. Kyoto: Benrido,
1955–56. Vol. 1, plate 14.
Xie Zhiliu 謝稚柳 (1910–1997). Tang Wudai Song Yuan mingji 唐五代宋元名迹. Shanghai:
Gudian wenxue chubanshe, 1957. Plate 104.
Freer Gallery of Art. Freer Gallery of Art: China. Tokyo: Kodansha, 1972. Plate 63 and p. 167.
Cahill, James F. Hills Beyond a River: Chinese Painting of the Yuan Dynasty, 1279–1368. New
York: Weatherhill, 1976. P. 120 and plate 21.
Vinograd, Richard. “New Light on Tenth Century Sources for Landscape Painting Styles in the
Late Yuan Period.” In Suzuki Kei sensei kanreki kinen kai 鈴木敬先生還暦記念会, eds.
Chūgoku kaigashi ronshū: Suzuki Kei sensei kanreki kinen 中國繪畫史論集：鈴木敬先生還暦
記念. Tokyo: Yoshikawa Kōbunkan, 1981. Pp. 2–30, esp. 19 (fig. 10).
__________. “Family Properties: Personal Context and Cultural Pattern in Wang Meng’s Pien
Mountains of 1366.” In Ars Orientalis 13 (1982): 1–29, esp. 24.
Suzuki Kei 鈴木敬 (1920–2007), ed. Chūgoku kaiga sōgō zuroku 中國繪畫總合圖錄
(Comprehensive Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of Tokyo,
1982–83. Vol. 1, 249 (A21–197).
Fu Shen 傅申. “Zhang Daqian yu Wang Meng: Wang Meng bili neng gangding, liubai nian lai
you Daqian” 張大千與王蒙 : 王蒙筆力能扛鼎，六百年來有大千. In Xiongshi meishu 雄獅美
術 (Hsiung Shih Art Monthly) 207 (May 1988): 80–88 (esp. 82–83 and 87–88). Also published
in: Guoli lishi bowuguan bianji weiyuanhui 國立歷史博物館編輯委員會, eds. Zhang Daqian
xueshu lunwenji: jiushi ji’nian xueshu yantaohui 張大千學術論文集：九十紀念學術研討會
(Essays of the Symposium of Chang Dai-chien’s Art, in Memory of Chang’s 90th Birthday).
Taibei: Guoli lishi bowuguan, 1988. Pp. 129–76 (esp. 131–32 and 141–43).
Ebine Toshirō 海老根聰郎. “Gendai zenki no sansuiga” 元代前期の山水画. In Ebine Toshirō and
Nishioka Yasuhiro 西岡康宏, eds. Sekai bijutsu daizenshū, Tōyō hen, dai 7 kan: Gen 世界美術大
全集 : 東洋遍第 7 卷，元. Tokyo: Shōgakukan, 1999. Pp. 141–50, esp. 160 (fig. 70).
Fong, Wen C. “Deconstructing Paradigms in Sung and Yuan Painting: Life After the Death of
Mastering Representation.” In Wang Yaoting 王耀庭, ed. Kaichuang dianfan: Bei Song de yishu
yu wenhua yantaohui lunwenji 開創典範 : 北宋的藝術與文化研討會論文集. Taibei: Guoli
gugong bowuyuan, 2008. Pp. 9–39, esp. 37 (fig. 23).
1955–56. Vol. 1, plate 14.
Xie Zhiliu 謝稚柳 (1910–1997). Tang Wudai Song Yuan mingji 唐五代宋元名迹. Shanghai:
Gudian wenxue chubanshe, 1957. Plate 104.
Freer Gallery of Art. Freer Gallery of Art: China. Tokyo: Kodansha, 1972. Plate 63 and p. 167.
Cahill, James F. Hills Beyond a River: Chinese Painting of the Yuan Dynasty, 1279–1368. New
York: Weatherhill, 1976. P. 120 and plate 21.
Vinograd, Richard. “New Light on Tenth Century Sources for Landscape Painting Styles in the
Late Yuan Period.” In Suzuki Kei sensei kanreki kinen kai 鈴木敬先生還暦記念会, eds.
Chūgoku kaigashi ronshū: Suzuki Kei sensei kanreki kinen 中國繪畫史論集：鈴木敬先生還暦
記念. Tokyo: Yoshikawa Kōbunkan, 1981. Pp. 2–30, esp. 19 (fig. 10).
__________. “Family Properties: Personal Context and Cultural Pattern in Wang Meng’s Pien
Mountains of 1366.” In Ars Orientalis 13 (1982): 1–29, esp. 24.
Suzuki Kei 鈴木敬 (1920–2007), ed. Chūgoku kaiga sōgō zuroku 中國繪畫總合圖錄
(Comprehensive Illustrated Catalogue of Chinese Paintings). 5 vols. Tokyo: University of Tokyo,
1982–83. Vol. 1, 249 (A21–197).
Fu Shen 傅申. “Zhang Daqian yu Wang Meng: Wang Meng bili neng gangding, liubai nian lai
you Daqian” 張大千與王蒙 : 王蒙筆力能扛鼎，六百年來有大千. In Xiongshi meishu 雄獅美
術 (Hsiung Shih Art Monthly) 207 (May 1988): 80–88 (esp. 82–83 and 87–88). Also published
in: Guoli lishi bowuguan bianji weiyuanhui 國立歷史博物館編輯委員會, eds. Zhang Daqian
xueshu lunwenji: jiushi ji’nian xueshu yantaohui 張大千學術論文集：九十紀念學術研討會
(Essays of the Symposium of Chang Dai-chien’s Art, in Memory of Chang’s 90th Birthday).
Taibei: Guoli lishi bowuguan, 1988. Pp. 129–76 (esp. 131–32 and 141–43).
Ebine Toshirō 海老根聰郎. “Gendai zenki no sansuiga” 元代前期の山水画. In Ebine Toshirō and
Nishioka Yasuhiro 西岡康宏, eds. Sekai bijutsu daizenshū, Tōyō hen, dai 7 kan: Gen 世界美術大
全集 : 東洋遍第 7 卷，元. Tokyo: Shōgakukan, 1999. Pp. 141–50, esp. 160 (fig. 70).
Fong, Wen C. “Deconstructing Paradigms in Sung and Yuan Painting: Life After the Death of
Mastering Representation.” In Wang Yaoting 王耀庭, ed. Kaichuang dianfan: Bei Song de yishu
yu wenhua yantaohui lunwenji 開創典範 : 北宋的藝術與文化研討會論文集. Taibei: Guoli
gugong bowuyuan, 2008. Pp. 9–39, esp. 37 (fig. 23).